Wednesday, January 25, 2006

The Spinto Band @ Cargo

Fringey have been liking the SPINTO BAND since way back in 2005!



But I only started loving them when they handed me a Spinto badge and kazoo on entrance to Cargo.

There was the whiff of "industry gig" about tonight. NME hacks and xfm dj's were in attendance along with various other chin strokers, this didn't seem to bother anyone on the stage though.

The Spintos were fabulous. I haven't witnessed that much joy and jumping around since Arcade Fire, and their songs are beautiful indie pop, but not at all twee, oh no. There were six of them on stage and the interaction and movement was non-stop, they love the songs they're playing more than you ever could, and they aren't afraid to show it. 'Mountains' and 'Mandy' were obvious highlights, but they've got a strong set. The last proper tune, the 'kazoo song' (not sure what it's called*), was absolute genius (there should be more kazoos in indie pop!) and prompted a bit of a stage invasion from a couple of indie girls. Then they finally came back to do a Spinto cover version of Tiffany's 'I think we're alone now' as an encore.

At the end of the night the Spintos hung around to sell their own merch from the STAGE, adapting mic stands into mannequins for t-shirt display and signing vinyl singles for new fans. They were still at it when we were leaving. Bless. I want to be their mum.

The support FIELDS were quite brilliant too, they have a lovely lush indie pop/folky sound with lots of three part harmonies. They come in somewhere between the Americana of Rilo Kiley and the twee of Field Music and if we'd seen them headline (at the Water Rats or Barfly say) we'd have still come away well pleased.

The whole evening completely chased away my January/winter blues and I liked it lots. The Spintos have also keep their own blog here, detailing a disturbing obsession with snooker amongst other things. - Nope i've no idea why either.

(*the 'kazoo song' is, off course, the fabulous 'Brown Boxes'!)

Monday, January 16, 2006

THE MIGHTY BOOSH @ the Pleasance Theatre

Words cannot describe the Mighty Boosh live experience.

But I'll give it a go.

When I first saw Boosh on the tellybox I was a tiny little bit afraid. I wasn’t used to the shiny newness of the Zooniverse and the sarky sparky Moon/Noir banter - (alter egos of comedy duo Noel Fielding and Julian Barratt). Still, … soon got over it. Enough to jump with joy when I found out Luce had got the Fringey tickets to one of their preview shows at the Pleasance Theatre. Hurrah!

Warning - flimsy boosh plot is revealed!


Vince 'electro poof' Noir and Howard 'jazz maverick' Moon charmed and entertained the pants of us, with their comedy equivalent of a Babyshambles gig, but without the narcotics, (I think). In fact I nearly peed those very pants - really - in the first half, as they did a greatest hits setlist of all our fav gags, characters, and songs. But now - live on stage - they brought an evil twisted slant to their weird wonderful humour.

The comedy bastards toyed with us, first killing off Naboo, then Howard and Vince and even Bollo, during the course of the evening! Using 'the Hitcher' as their instrument of Boosh carnage - damn his minty eye! - they were able to do lo-fi semi-improvised versions of many of the best set pieces from the tv and radio series. (Forcing the Boosh boys into an abstract plan to save Naboo, by retrieving the Ruby of Kakundu from the arctic Tundra.)

The show builds to a hysterical climax, we laugh as Howard is stabbed to death by the evil minty cockney geezer, and then scream at the narcissistic darkness of Noel claiming to have fucked his own head, (when the psycho Hitcher beheads Vince in Topshop – offstage obviously). Fielding and Barratt are hilarious, no wonder pairs of tickets were going for £100 on ebay. My face hurt from all the laughing.

I wish I could go see them again and again, but in the meantime series two is out on dvd, I’ve ordered it already.

Luce said

Saturday, January 14, 2006

High Jinks and Shonky Shanks at the Barfly


So the New Year is well under way and Fringey decided to start as we mean to go on – by taking ourselves off to an indie disco in the Barfly (an antidote to the Fabric style clubbing of Christmas). We did intend to meet up in the Lock Tavern but there was a queue to get in by the time we arrived. - A QUEUE! To get into A PUB! In CAMDEN! Out – bloody – ragious.

So it was straight to the Barfly, and how dank and horrible it is when empty. Still, the indie children (and some grownups) soon piled in to flaunt their indie kid moves to the ‘Don’t Look Down’ djs. I’ve no idea who was on the decks downstairs, but they’re quite good at picking the indie that we wanted to be listening to. Lots of Long Blondes/Holloways/Larrikin Love/Futureheads/Walkmen/MysteryJets, you get the general idea. - Like I said, it’s an INDIE DISCO. (We even spotted an Indie Hen Party. Although the Barfly isn't an obvious choice, we liked that they tried.)

Also, no self respecting Indie Disco would be complete these days without a bit of real live music for our ears to hear and our eyes to watch, and tonight we get to see our first ever band cheekily ripping off the Arctic Monkeys (just a bit).
O FRACAS are fun and pop. The 'indie kids' will love them.

Next up are
ROLAND SHANKS, and oh my, haven’t they got lots better since the last time Fringey saw them. They have a sharper sound and are a bit poppy, a bit punky and a bit electro. A little bit of everything really that was played at the aforementioned disco, but not at all bitty. Its all mashed together into something we quite liked listening to. They finished up with new single ‘Cutting Teeth’ out in February, I think you should go purchase. ('tis a pity that Jamie, Shanky vocals/bass, is such a short arse.)

The rest of the evening was spent tracking down the prettier boys and dancing our socks off.

2006 should be lots of fringey fun.

Thursday, January 05, 2006

the ultimate fringey venue review



We all know that it's not just who you're going to see, but where you go to see them. Bad viewpoints and muddly sound make all the difference, so la Fringey are giving you some super short reviews of the London venues that matter!

*Betsy Trotwood - (capacity 60, I would dispute this figure! it is much smaller!) - for the band with a very select following and the crowd that likes to get cosy.

*12 Bar Club - (capacity 100) - tiny tiny venue/pub in Denmark Street, and split level, so if you are stood in front of the stage you can only see the performers from the neck down. Except the drummer off course).

*the Old Blue Last - (capacity 100-ish I think) - located in Shoreditch and owned by Vice magazine its the place to come for the pretentious, scene, type gigs. Prepare youself to be stared at by groups of selfconcious teenage bleached blondie wannabes. Bless.

*the Metro Club - (capacity 175) - a tiny subterranean venue bang in the centre of London with good views of the stage from the bar. But the stage is a bit low, so if the chap or chappess on vocals is a short arse, good luck with getting a look.

*Barfly - (capacity 200) - is actually a rubbish little sweatbox, but gets consistently good acts to play and we quite like some of their club nights too. But beware the heated rail running round the bottom of the downstairs bar- it's a scorcher!

*Water Rats Theatre - (capacity 200) - a pub at the front with a stage out the back, It's shabby, it's dingy, it's in the middle of Kings Cross...We love it.

*Islington Bar Academy - (capacity 250) - haven't got round to checking it out.

*the Spitz - (capacity 250) located right next to Spitalfields market, it's a small venue for more the more off beat act. Unfortunately the bar ran out of vodka AND gin the night I was there. Bad Spitz, bad, bad, bad venue!

*100 Club - (capacity 290) - has the longest stage ever, for such a small venue, with bars at either end. The stage is also low, so wear your heels if you want to see (and not much else, cause it can get hot in there!)

*Bardens Boudoir - (capacity 300) - seemed lots smaller, and the stage is only slightly raised, so it would help if you could be tall on the nights that you visit. Oh and the gin was randomly priced throughout the evening, but always on the cheap side!

*Marquee Level 5 - (capacity 400) - light, airy with nice squidgey seats, reasonable sized bar, a wee stage and a rather disconcerting view that won't let you forget that you are actually in Leicester Square!

*Rhythm Factory - (capacity 450) - a very basic big room out the back of a cafe bar type set up. Very low stage, so get to the front, although there are various places for short arses to perch along the sides. There is also another bar along the back, - if you can't stand the heat near the stage.

*93 Feet East - (capacity 450) - flippin pillars block your view, and the sound is crap if you aren't standing in the middle. but we love it, the bar next door is handy if the support band are rubbish and they will normally have barbque type burgers available to purchase out in the yard, should you feel a bit peckish.

*Cargo - (capacity 500) - a beer garden for the summer, loungable seating in the main bar and the stage bit has another bar sensibly along the back, so you can still see the support acts while getting the drinks in.

*The Garage - (capacity 500) - dark and dingy with sticky floors. like the worst students union you've ever been to.

*Islington Academy - (capacity 800) - a bit soulless, with it being in a shopping centre an' all, but the sound was good and had easy access to the bar along the side, allowing you to keep one eye on the stage.

*ULU - (capacity 800) - it's a student union so the bar's a bit airport loungey but drinks are cheap and the stage is well high so you get a real good view innit'. Sound can be a bit muddy though, if there's a lot of bass.

*Marquee Leicester Sq - (capacity 900) - thankfully, unlike level five, there are no windows in here so it's easy to forget that you are in fact having a night out in Leicester Square. Bar staff very friendly, with a penchant for free pouring and generous measures. It has a big stage along the wall that is easy to see no matter where you stand, but sound is best in the middle.

*Scala - (capacity 980) - another Kings Cross scuzz fest, this time spread over several levels

*Meanfiddler - (capacity 1000) - Just a big long room with the stage at the far end, so can be difficult to get a good view, although upstairs is ok if you arrive early enough to hang over the side. Also, while waiting on the roadies to set up, they will almost certainly play you 2 Many DJ's Radio Soulwax vol 2. On Repeat.

*Electric Ballroom - (capacity 1100) - Abysmal sound from the upstairs, so stay at ground level. Unfortunately then you probably won't get to see anything unless you are above average height. The bars were awkward to get to, and had huge queues, so we didn't really bother. It will never loose that 'goth' vibe either.

*Koko - (capacity 1500) - Lots of bonus points for putting a bit more effort into the ruby red decor, the multiple bars on multible levels and having a massive glitterball. Very good views if you're not afraid of heights, not so great at ground level.

*Astoria - (capacity 2000) - its the ultimate mid size central London venue, a good view from most postions and a bar along the back behind the lighting desk so you can still get the drinks in while watching the support act! - although the sound from behind the desk is a bit rubbish.

*Shepherds Bush Empire - (capacity 2000) - there seems to be a magical space that exists round the bar to left of the stage which means you are usually guaranteed a good vantage point and immediate access to booze.

*Kentish Town Forum - (capacity 2110) - a cavernous building with rubbish sound.

*Hammersmith Palais - (capacity 2230) - its quite a big place, with no balcony, so seems sprawling, but the ceilings are low giving it an intimate feel and the decor pretty good. (ie - it didn't have the industrial lead piping look or was just painted black). But the drinks were extortionate. I don't need Bombay Sapphire, Gordons will do! It's also the home of 'School Disco' and that's a big turn off.

*Brixton Academy - (capacity 4900) - yes it's a whopper but it has a gently sloping floor for your viewing pleasure, a rather fancy staircase should you suddenly wish to recreate that scene from Gone with the Wind and *LuceFringey's bus home goes from right outside- yey! *NB this is merely fact not an open invite for 'all back to mine'

*Hammersmith Apollo - (capacity 5000) - Not as good as Brixton, and had to go upstairs to use the bar.

*Alexandra Palace - (capacity 8000) - beautiful building, but crosses the line into "too big" as a venue for me. Only go if you love the band and you're sure that the next time they play will be in an arena. If not, just wait till they get over the ego stroke of playing the ally pally and get back to Brixton or Hammersmith!

*the Fringey Imaginary Ideal Venue - (capacity about 400)
Would be in Central London, have bars along any walls that were not the stage, a separate bar area away from the stage incase the support act is dire, a gently slopping floor and the Gin would always be on special offer ....




Sunday, January 01, 2006

Here We Go Again

HAPPY NEW YEAR


Oh ok so 2006 is actually Year of the DOG but this is Fringey folks so we're taking a little Liberty. We know it's not really fair to have favourites but regular Fringey visitors may have caught on to the fact that the canine ones have a special place in our hearts...I mean just look at their little faces, and thoose big eyes, how can you resist thoose... ahem anyway moving swiftly on...

We trust that you've all had suitably merry christmases (you can read about ours here and here) and are ready with your resolutions for the New Year (you can see ours here).

We have a feeling that 2006 is going to be a real booty. So friends and foes of Fringey let the fun commence...

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